Writing From The New Yorker: Examining the Craft of Literary Journalism

The New Yorker, a renowned weekly magazine known for its incisive reporting, thought-provoking essays, and captivating fiction, has showcased some of the most esteemed literary journalists of our time. From the iconic profiles of John McPhee to the groundbreaking investigative pieces of Jane Mayer, The New Yorker has set the standard for excellence in the field. This article aims to delve into the unique characteristics and methods employed by writers who have graced the pages of this prestigious publication, exploring the craft of literary journalism and its profound impact on readers.

The Matter of Black Lives: Writing from The New Yorker

by Jelani Cobb

4.9 out of 5

Language	:	English
File size	:	3072 KB
Text-to-Speech	:	Enabled
Enhanced typesetting	:	Enabled
Word Wise	:	Enabled
Print length	:	864 pages
Screen Reader	:	Supported
X-Ray	:	Enabled

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The Art of Observation

At the heart of literary journalism lies the art of observation. Writers from The New Yorker possess an extraordinary ability to perceive the world around them with keen eyes and attentive minds, capturing details and nuances that often escape the notice of others. In her article "The Man Who Speaks to Ants," Sylvia Nasar meticulously chronicles the work of Dr. Edward O. Wilson, an entomologist whose fascination with ants provides insights into human behavior and the complexities of our natural world. Through vivid descriptions and immersive storytelling, Nasar transports readers into Wilson's world, offering a captivating glimpse into his scientific endeavors and the profound implications of his discoveries.

In-Depth Research and Reporting

Writers for The New Yorker are renowned for their meticulous research and rigorous reporting, which form the bedrock of their compelling narratives. They spend countless hours interviewing sources, poring over documents, and immersing themselves in the subjects they write about. John Cassidy, in his piece "The Real Slim Shady," delves into the hidden world of online poker, exposing the industry's rampant fraud and the devastating consequences it can inflict on players. By meticulously examining financial records, interviewing key figures, and following the trail of money laundering operations, Cassidy uncovers the dark underbelly of the seemingly innocuous game.

Sensory and Emotional Depth

Literary journalists from The New Yorker excel at employing sensory and emotional depth to engage readers on a profound level. They skillfully weave sensory details into their narratives, evoking the sights, sounds, smells, tastes, and textures of the experiences they describe. In her essay "My Father's House," Vivian Gornick vividly portrays the complexities of her relationship with her father, using sensory imagery to capture the nuances of their interactions and the profound emotions they evoke. Gornick's writing transports readers into the intimate world of her family, offering a visceral and deeply moving exploration of love, loss, and the enduring bonds that shape us.

The Power of Subjectivity

While journalistic objectivity has long been considered the golden standard in reporting, writers from The New Yorker embrace the power of subjectivity, recognizing the value it can bring to their storytelling. They acknowledge their own biases and perspectives, using them to illuminate the complexities of their subjects and the world they inhabit. In his profile of the late Supreme Court Justice Ruth Bader Ginsburg, Jeffrey Toobin candidly shares his admiration for her intellect and determination while also grappling with the complexities of her legacy and the impact of her judicial decisions. Toobin's subjective perspective adds depth to his portrait of Ginsburg, offering a nuanced and multifaceted examination of her life and work.

Literary Techniques in Nonfiction

Writers for The New Yorker seamlessly blend literary techniques with journalistic rigor, elevating their work beyond the realm of mere reporting. They employ literary devices such as foreshadowing, irony, and symbolism to create narratives that resonate on multiple levels. In "The Iceman," David Grann recounts the true story of a murderer and his accomplice, weaving together historical documents, interview transcripts, and gripping suspense to create a page-turner that reads like a gripping mystery novel. Grann's masterful use of literary techniques enhances the storytelling, drawing readers into the heart of a chilling and unforgettable case.

The Importance of Context

Contextualization is a vital element in the craft of literary journalism. Writers from The Yorker provide thorough historical, political, and cultural backgrounds to their stories, enabling readers to understand the broader implications of the events they describe. In her article "The Fight for a Handful of Dirt," Sarah Stillman investigates the ongoing land dispute between a small rural community and a mining company, situating the conflict within the broader context of environmental justice, corporate greed, and the struggle for Indigenous rights. By providing a deep understanding of the historical and societal factors at play, Stillman empowers readers to make informed judgments about the complex issues at hand.

Voice and Style

The writers who contribute to The New Yorker possess distinct voices and styles that set them apart from their peers. Their writing is often characterized by its wit, erudition, and a keen eye for the absurd. They craft sentences with precision, choosing words that convey not only information but also nuance and emotional resonance. Malcolm Gladwell, in his essay "The Tipping Point," explores the phenomenon of social epidemics, using a conversational style that draws readers into his thought process and makes complex ideas accessible to a wide audience. Gladwell's distinctive voice and engaging writing style have made him one of the most celebrated and influential writers of our time.

The Impact of The New Yorker

The New Yorker has played an instrumental role in shaping the literary landscape of our time. Its writers have broken new ground in the field of literary journalism, pushing the boundaries of what is considered nonfiction and setting a high standard for storytelling, research, and analysis. The magazine has launched the careers of countless talented writers, providing a platform for their voices to be heard and their work to reach a global audience. Its archives serve as a treasure trove of exceptional journalism, offering a glimpse into the minds of some of the most gifted writers of the past and present.

Writing from The New Yorker is a testament to the enduring power of literary journalism. Its writers possess a unique combination of observational skills, research acumen, and literary prowess that enables them to produce narratives that inform, captivate, and resonate deeply with readers. They embrace the power of subjectivity, employ literary techniques in nonfiction, and provide thorough contextualization to create works of lasting impact. The New Yorker has been at the forefront of literary journalism for nearly a century, showcasing the very best that the genre has to offer. Its legacy as a nurturer of exceptional talent and a beacon of journalistic excellence continues to inspire and captivate readers around the world.

The Matter of Black Lives: Writing from The New Yorker

by Jelani Cobb

4.9 out of 5

Language	:	English
File size	:	3072 KB
Text-to-Speech	:	Enabled
Enhanced typesetting	:	Enabled
Word Wise	:	Enabled
Print length	:	864 pages
Screen Reader	:	Supported
X-Ray	:	Enabled

FREE